Showing posts with label Bedded by a Playboy. Show all posts
Showing posts with label Bedded by a Playboy. Show all posts

Tuesday, 7 July 2009

Winging it... Or how to write a decent synopsis when you hate the flipping things.

With the news on I Heart Presents that Harlequin/M&B are running a brand new writing comp for aspiring authors to Modern and Modern Heat, I thought it might be useful to give some tips about writing the dreaded synopsis by posting the synopsis for my first ever published book, Bedded by a Bad Boy (aka Bedded by a Playboy in the US).

I'm also going to post some notes tomorrow about what parts of this
synopsis didn't work for the editor - and what bits I changed and strengthened when revising the story.

But before I do any of that I should point out that I am no expert on synopsis writing. Being a complete pantser, I generally avoid them with a passion (and have only had to do outlines for the books I've published since). So if you want tips on how to write a synopsis that will dazzle the editors with its brilliance and originally and beautiful craftsmanship. Forget it... You ain't getting any help with that from me, because I've never managed it myself... But if, like me, you can't stand writing the damn things, but know it's a necessary evil (especially before you get published), I can offer advice about how to make the process work for you and your story.

So here's my top tip: The synopsis is a narrative describing your characters and their conflict and NOT a description of the plot.

What that means: Stay focussed on the internal conflict between your H & h like a rottweiler with a juicy bone. Make sure that conflict springs from your characters and their emotions and not from outside influences, that it drives the story, works itself out through the course of the plot, reaches a crescendo and is resolved and is, at all times, one hundred per cent consistent. And describe that in your synopsis. Your plot is only relevant as a narrative of your characters and their conflict, not the other way around.

And another thing to remember. The synopsis is really just a tool to show the eds you actually have a book worked out after that wham-bang opening scene and that you've got a basic understanding of your characters and their conflict. But it's still your voice they'll be looking at most, your storytelling ability, because
everything else can be revised. And if you're like me, the chances of you ending up with the same story you wrote in your synopsis once you've written the book are pretty much ziltch.

Okay so here's that synopsis I was talking about. See what you think....


SYNOPSIS

Bedded by a Bad Boy

aka Bedded by a Playboy

by Heidi Rice


JESSIE CONNOR is an impetuous, wildly romantic English girl in America who believes that family is everything. As long as she can remember, she’s dreamed of having a gorgeous husband and a house full of beautiful children -- just like her big sister Ali. So when Jessie and the heavily pregnant Ali return to Ali and her husband Linc Latimer’s seaside home in Long Island and spy a naked trespasser taking a swim in the pool, Jessie knows just what has to be done. The guy may have a body like Brad Pitt but he’s on private property and she’s going to sort him out. Nobody messes with her family.

MONROE LATIMER is a loner who’s spent the last 14 years roaming America on his Harley. He believes in nothing and nobody, except himself. After two spells in prison as a teenager, Monroe knows that he’s the only person he can count on. He’s driven to the Hamptons out of curiosity, but no way is he going to visit his long-lost brother Linc once he sees the swanky neighbourhood where Linc and his family live. But then he spots an empty house with an empty pool and figures, what harm could a little swim do, before he heads back to the interstate?

Turns out quite a lot, when he pulls on his jeans and is tackled by a beautiful girl with a crisp English accent, firecracker hair and a temper to match. Then Linc and Ali and their two young children show up and Monroe is trapped, forced to accept an invite to stay in their garage apartment. The apartment — full of light and overlooking the beach — is the perfect place to paint and Monroe’s secret passion is painting, so he agrees to stay, but only if he does yard work to pay his way. He’s no goddamn freeloader. The one other compensation is Linc’s feisty little sister-in-law who Monroe thinks is cute as hell when she’s riled, which is whenever she’s around him.

Jessie decides Linc and Ali must be insane. What are they thinking inviting a stranger into their home? He may be gorgeous but he’s obviously a complete reprobate, why else would he get such a kick out of making her mad?

After a trip to town on Monroe’s Harley, an errant kiss in front of the A&P on Main Street and the discovery that Linc and Ali’s five-year-old daughter Scout has become Monroe’s biggest fan, Jessie’s opinion of the new house guest begins to change. She loves art, but she’s never had the talent to create it herself, so when she discovers that Monroe is an artist, she finally has to admit she’s hooked. But still she resists. He’s way too dangerous for her.

However hard he tries to distance himself, Monroe finds himself falling for the family against his will -- and the gorgeous Jessie is the catalyst. He wants her, badly, but knows he shouldn’t touch her. She’s got quality written all over her and that’s a word he can barely even spell.

When Linc gives Monroe a birthday gift, Monroe’s fear of becoming a part of the family comes to a head and he snubs his brother. Thinking Monroe has been unbelievably rude, Jessie confronts him. During the heated exchange that follows, Jessie sees through Monroe’s cool, cocky facade to the vulnerable, lonely man beneath. He needs love, companionship -- and who better to give it to him than her?

With Linc and Ali and their children away in New York for two weeks, Jessie and Monroe begin a tempestuous affair. But while Jessie becomes convinced Monroe is her dream man, Monroe knows he’s exactly the opposite. He can never give her family or commitment; he just doesn’t live that way.

When Ali and Linc return, Ali cautions Jessie about the affair. The sex may be fantastic, but Monroe’s going to be a hard man to love, especially if he won’t share his feelings with her. Jessie is blinded by her love for Monroe, though, and allows him to dictate the terms of the relationship, especially when she watches him deliver Ali’s baby — the doctor was unable to get there in time — and begins to spin dreams about what a wonderful father Monroe would make.

Jessie becomes increasingly uneasy, however, when she tells Monroe she loves him, countless times, and he says nothing in return. Eventually, at Ali’s suggestion, Jessie gives Monroe an ultimatum she won’t sleep with him anymore until he tells her how he really feels.

Desperate to guard his heart, scared that he is falling in love with someone he can never keep, Monroe closes himself off from Jessie and the rest of the family. If only he could just get on his Harley and go now, but somehow he can’t bring himself to do it.

Jessie makes the startling discovery that she’s pregnant. She tells Monroe and is horrified when he accuses her of cheating on him. The baby isn’t his. It can’t be. His mother -- an abusive woman who hated both him and Linc -- had him sterilised as a young teenager. Jessie flees to New York, now convinced that she has been fooling herself about Monroe all along. How can he ever have loved her if he can accuse her of something so hideous?

Linc forces Monroe to get tested by a fertility specialist. Monroe discovers he is the father of Jessie’s baby, something that he knew all along in his heart. He tracks Jessie down in New York.

Hurt and angry, Jessie resists him. Monroe is forced to finally lay his feelings bare, to admit to Jessie that he loved her all along but was too scared to tell her. Because he thought he could never give her what she dreamed of. Home, hearth, family.

Jessie sees Monroe for who he really is. Not a dream man, but a real one. He’s vulnerable and insecure after the horrors of his childhood, but he loves her, and he needs her and is at last willing to admit it. She doesn’t want a fantasy anymore, she wants Monroe, their baby and a life they can build together.


Phew, that was a bit long... But now you get my drift I hope. Conflict, conflict, conflict....

Friday, 2 May 2008

Pierce and the new WIP

So the furore of my last ms is behind me and I'm slipping into my new wip. As I have a deadline for the 15th July (yikes!), I've decided to go back to an old friend rather than try and start one from scratch.

So, you're probably wondering, what is that uber-sexy and sophisticated picture of Pierce Brosnan in The Thomas Crown Affair doing on the side of this post. Well, he was the original inspiration for the hero I'm working on. He's called Lincoln Latimer and he's a billionaire bad boy who's been forced to do community service at a summer camp for delinquent boys in Maine. There he's going to have to take orders from supervisor Ali Connor. A sassy, no-nonsense British tomboy who's passionate about the kids in her care, Ali is the sort of woman Linc wouldn't look at once in normal circumstances (thinking he prefers sleek, shallow socialites), but after two weeks at the camp, he's going to look, not once but many, many times, until he starts to get an inkling what's missing from his life — and his sexual frustration reaches fever pitch.

Anyone who has read my first book Bedded by a Bad Boy (aka Bedded by a Playboy in the US) might remember Linc and Ali who appeared as secondary characters - so this is a prequel of sorts, but also has to stand alone. I wrote Linc and Ali's story as my first ever completed ms and (having reread it recently) it's going to need a lot of work to turn it into the sparky, super-sexy Modern Heat I want, but at the moment I'm enjoying it, not least looking up juicy pictures of my muse on the internet. Always a valuable pastime. Darn, I guess now I need to go write something.

Saturday, 19 January 2008

Good news week!

Got an email a couple of days ago from Donna at CataRomance to say that The Mile High Club has won a Reviewers Choice Award. I was so chuffed, especially when I checked out the full list and found fellow Modern Heat authors Nicola Marsh, Trish Wylie, Ally Blake and Sue Stephens there as well. You can check out the full list by clicking here.

Then I heard via the grapevine not one but two of my Modern Heat colleagues - namely Julie Cohen and Kate Hardy - have been nominated for RNA's much coveted Romance Prize this year. And I've got to mention Romance author Fiona Harper (who very nicely came up to chat to me last year at the RNA lunch so I consider her a friend) and who has been nominated twice (isn't that a bit greedy Fiona?). I'll be rooting for all of them come Feb 4th (if I can get a late ticket for the Awards Lunch at the Royal Garden Hotel in Kensington, which I, of course, forgot to book! Duh!). For the full list of nominees click here.

And then to really make my week I got an email from my editor Bryony to say that Bedded by a Playboy got into the Waldenbooks Top Ten Bestsellers in series romance for the week ending 12th January and here's the proof. Yippee. I'm a happy camper. So happy in fact that I will admit to falling off the wagon ever so slightly last night. Luckily I didn't hit the ground too hard.

As my reward tonight I'm off to see No Country for Old Men, the new Coen Brothers movie. Anyone seen O Brother Where Art Thou? George Clooney in a hairnet - now that's what I call a movie. I'm expecting to be thoroughly entertained. And I'm expecting to tell y'all about it at a future date - unless it turns out to be rubbish, in which case I won't.

Saturday, 29 December 2007

A Belated Merry Christmas..

I've once again been neglecting my blog duties. Just back from Cambridge where I had a very nice Yuletide with my extended family of sisters, in-laws, nieces, nephews, etc. So great to have someone take care of the turkey detail for once — meant I could concentrate on the far more important business of spreading the good cheer.

I've got Bedded by a Bad Boy going large in the US in January under the brand new title of Bedded by a Playboy. It briefly topped Harlequin's ebook bestsellers list earlier this month so I have high hopes for it in the US, where it will — rather dauntingly — be in the new Presents Collection: 'Pregnant Mistresses'. But at least it's in great company with my fellow Mod Heat authors Natalie Anderson and Kate Hardy. If you fancy picking up a copy of Playboy in the States, just click here.

And have a fab New Year. My resolution? To finish my fourth book in time for my deadline on Valentine's Day and to start blogging more.

Thursday, 6 December 2007

So You Want to Be a Romance Writer....


Here are details of a new competition being run by Harlequin/Mills and Boon to find fresh, new authors for their best-selling Presents/Modern series, of which I am now one — with Bedded by a Bad Boy (aka Bedded by a Playboy) going large in the States as a Presents Extra title next month.

It's a fant-abulous opportunity for anyone who fancies themselves as a category romance writer and there are loads of tips about what they're looking for on the I Heart Presents blog.

Here's the basic blurb, but click on the link above to get all the info.

INSTANT SEDUCTION

A brand new writing competition from the world’s best-selling romance series is about to hit the blogosphere!

It’s an exciting time for Harlequin Presents: from January 2008, there will be 12 of our intensely passionate romances available every month. And with this increase of titles comes a great opportunity for aspiring authors – we will be looking to buy more books for publication!

The old saying goes that first impressions are lasting impressions – and when it comes to reading a Harlequin Presents, that certainly holds true. If the first chapter doesn’t immediately grip the reader with its pace, passion and intensity, then she won’t continue to turn the pages.

So Presents is inviting unpublished writers to show us how they can grab the attention of our readership with first chapters that really sizzle. The INSTANT SEDUCTION competition offers prizes that are chances of a lifetime for the lucky winner and runners-up:
*First prize – win yourself an editor for a year!
*Two runners-up will be given editorial critiques of their first chapter entries and also a personal telephone consultation about their writing!

Visit the Iheartpresents.com blogsite for full details of the competition – and the chance to prepare for publication with an exclusive series of writing tutorials prepared by the editorial team at Harlequin Presents, including advice on First Chapters, How to Write a Synopsis, Loving the Alpha Male and Generating Emotional Conflict.

Entries for the competition will be accepted as on-line submissions only from 1st January until 14th February 2008.
Entries should comprise of the first chapter and a synopsis of a previously unpublished/unsubmitted novel aimed at Harlequin Presents.
Address for entries: instantseduction@hmb.co.uk